Olympus OM-D E-M1 Mark II Mirrorless Micro Four Thirds Digital Camera with 12-200mm Lens Kit

Introducing the OM-D E-M1 Mark II, an advanced system of innovative technology and features designed to forever change your photography. Up to 18 frames per second sequential shooting with precision C-AF Tracking. 121 Cross-Type On-Chip Phase Detection AF points. Up to 5.5 shutter speed steps of compensation with powerful in-body image stabilization. Plus a 50MP High-Res Shot Mode. It’s all enclosed in a magnesium alloy weatherproof body that weighs a mere 600 grams. Paired with the superior resolution of M.Zuiko PRO lenses, the E-M1 Mark II will deliver brilliant imagery that’s coveted by professionals everywhere.

20.4MP Live MOS Sensor and TruePic VIII Image Processor

A high-resolution 20.4MP Live MOS sensor and TruePic VIII image processor pair to avail notably fast shooting performance, along with impressive image quality, an expanded sensitivity range up to ISO 25600, and 4K video recording capabilities. Ideal for sports and wildlife shooting, the sensor and processor combination avails a full-resolution, raw file continuous shooting rate of 60 fps when working with the silent electronic shutter function and single-shot AF, or 18 fps with continuous autofocus. If working with the mechanical shutter, up to 15 fps with single-shot AF is possible.

DCI and UHD 4K Video Recording and Time-Lapse Movie Mode

The sensor and processor also support recording both DCI (4096 x 2160) and UHD (3840 x 2160) 4K movies. When working in DCI, a true 24.00 fps frame rate is used, along with IPB compression and a 237 Mbps bit-rate, and UHD 4K is available in frame rates up to 30p and a 102 Mbps bit-rate. Full HD 1080p and HD 720p recording is also supported. Audio recording is possible using the built-in stereo microphone, however both an external mic jack and headphone jack are available for improved audio monitoring.

In addition to video recording, a Time-lapse Movie mode is also available for recording up to 4K UHD resolution with a 5 fps shooting rate to highlight subject changes or movement over a longer period of time. Full HD and HD time-lapse settings are available, too.

Pro Capture Mode

Helping to ensure you don’t miss the shot, Pro Capture Mode is a unique setting that starts recording and buffering full-resolution JPEG or raw images prior to fully depressing the shutter. As soon as you press the shutter button halfway, frames will begin to be recorded, and once you fully press the shutter, the image will be saved in addition to the previous 35 frames. Additionally, you can hold the shutter button in this mode to keep shooting continuously using the silent electronic shutter function.

Dual F.A.S.T. Autofocus and Focus Controls

A Dual F.A.S.T. autofocus system combines both 121 on-chip phase-detection points and 121 contrast detection areas for focusing performance that is both quick and accurate. All 121 phase-detection points are cross-type, too, for improved precision in mixed lighting conditions, as well as enhanced subject tracking capabilities. A single button can be used to switch between focusing modes, including all point, single point, 9-point group, and 5-point cross, and a Subject Tracking Cluster Display utilized continuous AF for fast-moving subject tracking. In contrast, manual focus users are benefitted by live view magnification and focus peaking controls for greater accuracy.

5-Axis Sensor-Shift Image Stabilization

In-body, sensor-shift image stabilization helps to minimize the appearance of camera shake by up to 5.5 stops with any lens in use and compensates for camera movements that become especially noticeable when working with telephoto shots, macro imagery, and long exposures. Furthermore, this unique image stabilization system works across five axes to compensate for vertical angle rotation, horizontal angle rotation, horizontal shift, vertical shift, and rolling camera shake movement. This range of detected movements serves to benefit traditional still image shooting as well as movie recording and working with moving subjects more effectively. Additionally, image stabilization can also be used when framing shots, for more accurate compositions, by half-pressing the shutter button.

Body Design and Built-In Wi-Fi

• High-resolution 2.36m-dot electronic viewfinder is available for eye-level monitoring, and an S-OVF (Simulated Optical Viewfinder) mode can be used to expand the live view dynamic range to suit working in bright, contrast-rich lighting.
• Rear 3.0″ 1.04m-dot touchscreen LCD features a vari-angle design to support working from a variety of angles, as well as making front-facing selfies.
• Magnesium-alloy body design is hermetically-sealed for resistance against dust and moisture to better enable working in harsh environments, as well as freezing temperatures down to 14°F.
• The included FL-LM3 external flash is also dust and splashproof to match the camera’s resistance to harsh weather.
• Dual SD memory card slots afford greater flexibility in regard to how files are saved, and also enable a greater overall capacity for longer shooting sessions.
• USB 3.0 Type-C port avails fast connection and transfer speeds, as well as enables tethered shooting capabilities with Olympus Capture.
• Built-in Wi-Fi permits wireless image sharing and remote camera control from a linked smartphone or tablet.

Other Camera Features

• High Res Shot Mode offers the equivalent output of a 50MP image by combining eight single JPEG frames, which are recorded within one second, into a single, larger image. In between each of the eight exposures, the sensor-shift stabilization mechanism moves slightly in order to acquire more information than in a single exposure and these frames are then composited into a final JPEG with greater resolution and color detail. The TruePic VIII processor aids this process by compensating for any subject movement blur and this feature can also be configured to record 25MP images for file size flexibility.
• Silent Shutter Mode completely eliminates shutter noise and other electronic sounds to benefit working in nature, concert halls, or other sound-sensitivity locations.
• Live Bulb and Live Time settings can be used to produce creative long exposure imagery. Live Bulb lets you hold the shutter open for up to one minute and Live Time lets you press the shutter button once to open the shutter and then press again within a minute to end the exposure.
• Live Composite is a unique long exposure mode that allows you to gradually build up an exposure over time without overexposing key elements within the frame. This mode works to only record newly detected light sources over time, and allows you to watch as an image develops, making it ideally suited for photographing star trails or other moving light sources.
• Interval shooting is supported for up to 999 frames with 1 second to 24-hour exposure intervals.
• In-Camera Focus Stacking will automatically record eight images of a subject while shifting the plane of focus slightly, then composite these exposures into a single frame to exhibit an extended depth of field. Alternatively, Focus Bracketing allows you to record between 3-999 frames with adjustable focus steps in a 1-10 range for manual compositing during post-production. These modes are only available when working with M.Zuiko Digital ED 60mm f/2.8 Macro, 12-40mm f/2.8 PRO, 40-150mm f/2.8 PRO, 30mm f/3.5 Macro, 7-14mm f/2.8 PRO, 8mm f/1.8 Fisheye PRO, and 300mm f/4 IS PRO lenses.
• Picture Modes: i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, e Portrait, Underwater, and Art Filters.
• Fourteen different in-camera Art Filters are available, and include Pop Art, Soft Focus, Pale & Light Color, Light Tone, Grainy Film, Pin Hole, Diorama, Cross Process, Gentle Sepia, Dramatic Tone, Key Line, Watercolor, Vintage, and Partial Color, and these modes can be further adjusted through the use of Art Effects, which include a Soft Focus Effect, Pin-Hole Effect, White Edge Effect, Frame Effect, Star Light Effect, Defocus Effect, B&W Effect (Yellow, Orange, Red, and Green), Picture Tone (Sepia, Blue, Purple, and Green), and Shade Effect (Top & Bottom, Left & Right).
• Keystone Compensation allows you to correct for convergence when working in live view.
• A multi-exposure mode blends two frames using an auto gain to maintain a controlled exposure value.

Olympus M.Zuiko Digital ED 12-200mm f/3.5-6.3 Lens

A single-lens solution for most shooting situations, the M.Zuiko Digital ED 12-200mm f/3.5-6.3 from Olympus is designed for Micro Four Thirds mirrorless cameras and covers a huge 24-400mm equivalent focal length range. Despite its long reach, the lens is also characterized by its portable form factor, close 8.7″ minimum focusing distance, and sophisticated optical design, which includes a variety of aspherical, low dispersion, and high refractive index elements to produce well-corrected imagery. A ZERO coating has also been applied to help reduce lens flare and ghosting for greater contrast and color fidelity when working in strong lighting conditions. Additionally, this lens utilizes a Movie & Stills Compatible AF system to achieve smooth, fast, and near-silent focusing performance to benefit both photo and movie applications.

• Spanning an impressive wide-angle to super telephoto range, this 12-200mm zoom is designed for Micro Four Thirds mirrorless cameras and provides a 24-400mm equivalent focal length range.
• Three aspherical elements, one Super HR (high refractive index) elements, and two HR elements are featured in the optical design to limit spherical aberrations for improved sharpness with reduced distortion. Additionally, two Super ED (extra-low dispersion) elements and two ED elements are also used to control chromatic aberrations and color fringing for greater clarity and color fidelity.
• A ZERO (Zuiko Extra-Low Reflection Optical) coating has been applied to individual elements to minimize lens flare and ghosting for improved contrast and color fidelity when working in strong lighting conditions.
• Movie & Still Compatible (MSC) autofocus system benefits both photo and video applications due to its smooth, quiet, and fast performance.
• Minimum focusing distance of 8.7″ at the wide-angle end, and a 3.9″ working distance, offers a 0.46x maximum magnification to suit working with close-up subjects.
• Weather-sealed construction guards the lens against dust and moisture for working in harsh environments.
• Rounded seven-blade diaphragm contributes to a pleasing bokeh quality.