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Olympus OM-D E-M1X Body

SKU: 103220191 - VSN: V207080BU000

$2,999.99

20.4MP Live MOS Micro Four Thirds Sensor – Dual TruePic VIII Image Processors – Integrated Vertical Grip, Dual Batteries – 2.36m-Dot 0.83x Electronic Viewfinder – 3.0″ 1.037m-Dot Vari-Angle Touchscreen – DCI 4K/24p & UHD 4K/30p Video Recording – 5-Axis Sensor-Shift Image Stabilization – 15 fps Shooting and Expanded ISO 25600 – 121-Point All Cross-Type Phase-Detect AF – Weather-Sealed Construction

In stock (can be backordered)

Location(s): Golden Valley, Roseville

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Focused on reliability, speed, and versatility, the Olympus OM-D E-M1X is a Micro Four Thirds mirrorless camera offering a broad range of photo and video capabilities to satisfy the professional shooter’s needs. Featuring a high-resolution 20.4MP Live MOS sensor and dual TruePic VIII image processors, the E-M1X is characterized by its quick continuous shooting, up to 60 fps with an electronic shutter and 15 fps with a mechanical shutter, as well as DCI and UHD 4K video recording. The sensor and processors also offer a sensitivity range up to ISO 25600 while a sophisticated 5-axis sensor-shift image stabilization system compensates for up to 7.5 stops of camera shake for sharper handheld shooting. Beyond just imaging, the sensor’s design also incorporates 121 on-chip phase-detection points, all of which are cross-type, along with 121 contrast-detection areas for fast and precise focusing and subject tracking performance.

Distinguishing itself further, the E-M1X is also the first Micro Four Thirds camera to feature an integrated vertical grip for improved ergonomics and handling regardless of shooting in horizontal or vertical orientation. This grip also allows for two batteries to be used at a time, for longer shooting sessions. The durable magnesium-alloy body is further characterized by its extensive weather-sealing to support working in harsh climates, and both a 2.36m-dot, 0.83x-magnification electronic viewfinder and 3.0″ 1.037m-dot vari-angle LCD touchscreen are featured, too, for intuitive control and working from a variety of angles. Additionally, built-in Wi-Fi and Bluetooth further expand sharing and remote shooting capabilities, and dual SD card slots and a USB 3.0 Type-C port expand file saving and tethered shooting capabilities.

20.4MP Live MOS Sensor and Dual TruePic VIII Image Processors
A high-resolution 20.4MP Live MOS sensor and dual TruePic VIII image processors work in concert to provide notably fast shooting performance, expanded sensitivity range up to ISO 25600, and versatile 4K video recording capabilities. Ideal for sports and wildlife shooting, the sensor and processor combination avails a full-resolution continuous shooting rate of 15 fps for up to 103 consecutive raw files when working with the mechanical shutter. When shooting with the silent electronic shutter, this shooting rate can be boosted up to 60 fps with single-shot AF for up to 49 consecutive raw frames or 18 fps shooting with continuous AF for up to 74 consecutive raw frames.
DCI and UHD 4K Video Recording and OM-Log
The sensor and processor also support recording both DCI (4096 x 2160) and UHD (3840 x 2160) 4K movies. When working in DCI, a true 24.00 fps frame rate is used, along with IPB compression and a 237 Mb/s bit-rate, and UHD 4K is available in frame rates up to 30p and a 102 Mb/s bit-rate. Full HD 1080p and HD 720p recording is also supported. Audio recording is possible using the built-in stereo microphone, and both an external mic jack and headphone jack are available for improved audio recording and monitoring.

Benefitting recording in varying light conditions, an integrated OM-Log setting can be used to extend the effective dynamic range and afford a greater range of control during post-production color grading when used with the accompanying LUT file. Use of an external recording monitor is also possible, via HDMI output, which supports 4:2:2 color for a greater color correction range.

Additionally, a Time-lapse Movie mode is also available for recording up to 4K UHD resolution with a 5 fps shooting rate to highlight subject changes or movement over a longer period of time. Full HD and HD time-lapse settings are available, too, as well as a high-speed Full HD setting with 120 fps frame rate.

121-Point All Cross-Type Phase-Detection AF
An advanced autofocus system combines both 121 on-chip phase-detection points and 121 contrast detection areas for focusing performance that is both quick and accurate. All 121 phase-detection points are cross-type, too, for improved precision in mixed lighting conditions, as well as enhanced subject tracking capabilities. Different focusing modes are available to suit working in various shooting conditions, including 121-point, for general use; Group 25-point, for moving subjects, such as birds and wildlife, and when 121-point is too wide; Group 9-Point, for smaller and more distant subjects; Group 5-Point, for when 9-point is too wide or to suit working with nearer moving subjects; Single, for working with still or small subjects that are not moving; and Small AF, for working with close-up subjects. Custom AF targets can also be set, for working with specific numbers of focus points within the 121-point grid, and an AF limiter function allows you to constrain the focusing distance within a specified range for more responsive performance. Additionally, continuous autofocus sensitivity can be set, to benefit its use while recording video, within five levels for more pleasing focus movements.

Complementing the control over autofocus, focusing speed and tracking is further benefitted by Intelligent Subject Detection AF; an algorithm that uses deep learning technology to automatically detect specific subjects, focus on them, and track them. This system has specifically been developed for photographing cars, motorcycles, airplanes, helicopters, trains, and locomotives. For photographing people, Face Priority and Eye Priority AF is also available to prioritize the face and eyes of your subject. And for working in low-light conditions, focusing sensitivity is available down to -6 EV.

Benefitting focus operation, dual AF multi selectors are featured on the camera for easy access in either the horizontal or vertical orientation and AF area/target settings can also be customized for shooting in either orientation. Converse to autofocus capabilities, manual focus users are also benefitted by live view magnification and focus peaking controls for greater accuracy.

5-Axis Sensor-Shift Image Stabilization
In-body, sensor-shift image stabilization helps to minimize the appearance of camera shake by up to 7 stops with any lens in use and compensates for camera movements that become especially noticeable when working with telephoto shots, macro imagery, and long exposures. Furthermore, this unique image stabilization system works across five axes to compensate for vertical angle rotation, horizontal angle rotation, horizontal shift, vertical shift, and rolling camera shake movement. This range of detected movements serves to benefit traditional still image shooting as well as movie recording and working with moving subjects more effectively. Additionally, when paired with select lenses featuring optical image stabilization, shake compensation up to 7.5 stops is possible.
Body Design
High-resolution 2.36m-dot electronic viewfinder is available for eye-level monitoring, and it offers an impressive 0.83x maximum magnification for clear, distortion-free viewing. The finder’s design uses a four-element optical system, which includes aspherical and high refractive index elements, for high clarity and it also has a maximum frame rate of 120 fps and lag time of 0.005 sec for fluid and accurate movement rendering.
Rear 3.0″ 1.037m-dot LCD monitor features a vari-angle design to support working from a variety of angles, and it is also a touchscreen for intuitive menu navigation and image playback. Additionally, an LV Boost mode can be used to optimize the screen’s brightness and prioritize the frame rate when working in dark locations.
Integrated vertical grip offers a more ergonomic and secure design for holding the camera in either the horizontal or vertical shooting orientation. This design also affords more room for incorporating two sets of physical controls, shutter releases, and permits working with two batteries.
Dual BLH-1 rechargeable lithium-ion batteries are used to provide extended shooting times, rated to 870 shots per charge with normal settings or up to an impressive 2580 shots per charge with the quick sleep mode activated.
The USB Type-C port can be used for quick in-camera charging of both batteries; up to 100W of power can be delivered to charge in as little as two hours and a dedicated Battery Status display will highlight charging stats and battery degradation info.
Dual SD memory card slots offer improved flexibility for image storage, allowing you to segregate raw and JPEG files to different cards, save duplicate files to both cards, or simply double your storage space with overflow recording. Additionally, both card slots are UHS-II compatible for fast read/write speeds regardless of which slot is used as the primary.
Wide accessory compatibility provided with the incorporation of headphone and microphone ports, a PC sync flash terminal and top hot shoe, USB Type-C and micro-HDMI ports, and a 2.5mm port for optional remotes.
Rugged splashproof, dustproof, and freezeproof construction incorporates extensive sealing throughout the magnesium-alloy body to accommodate working in harsh weather conditions and trying environments, even when a cable, microphone, or a set of headphones are attached.
Benefitting working with the electronic viewfinder, a series of physical controls are placed about the top and rear of the camera for easy access. Also, the multi-selector, control dial, and AFL/AEL button have been duplicated for access when shooting in either the horizontal or vertical orientation.
C-Lock is a position with the Lock lever that allows you to customize which features will be locked and which will remain unlocked when in the C-Lock position. It can also be used to lock the vertical position controls if choosing to shoot entirely with the horizontal orientation controls.
Supersonic Wave Filter and a dust-resistant coating are used to greatly reduce the likelihood of dust reaching the sensor.
Integrated heat pipe helps to dissipate heat from the imaging components to benefit recording video and shooting sequential stills in hot temperatures.
Durable shutter unit is rated to perform for over 400,000 actuations.
Shooting Modes
Tripod High Res Shot mode offers the equivalent output of a 50MP JPEG image or 80MP raw image by combining eight sequentially recorded frames into a single, larger image. In between each of the exposures, the sensor-shift stabilization mechanism moves slightly in order to acquire more information than in a single exposure and these frames are then composited into a final image with greater resolution and color detail. The dual TruePic VIII processors aid this process by compensating for any subject movement blur and this feature can also be configured to record 25MP images for file size flexibility.
Handheld High Res Shot mode, like the Tripod mode, produces a 50MP JPEG or raw file by compositing sequentially recorded files into a single image. The Handheld High Res Shot mode differs from the Tripod mode by recording 16 independent frames, opposed to eight, and the slight movement caused by hand-holding provides the range of movement needed to produce the larger final image.
Simulating the effects of a neutral density filter, Live ND results in blurred subject movement by compositing exposures to replicate the look of a single image taken at a slower shutter speed. Particularly suitable for photographing moving water, five modes are available—ND2, ND4, ND8, ND16, and ND32—to vary how movement is portrayed.
Live Composite is a unique long exposure mode that allows you to gradually build up an exposure over time without overexposing key elements within the frame. This mode works to only record newly detected light sources over time, and allows you to watch as an image develops, making it ideally suited for photographing star trails or other moving light sources.
Live Bulb and Live Time settings can be used to produce creative long exposure imagery. Live Bulb lets you hold the shutter open for up to one minute and Live Time lets you press the shutter button once to open the shutter and then press again within a minute to end the exposure.
Pro Capture Mode is a unique setting that starts recording and buffering full-resolution JPEG or raw images prior to fully depressing the shutter. As soon as you press the shutter button halfway, frames will begin to be recorded, and once you fully press the shutter, the image will be saved in addition to the previous 35 frames. Additionally, you can hold the shutter button in this mode to keep shooting continuously using the silent electronic shutter function.
Interval shooting is supported for up to 999 frames with 1 second to 24-hour exposure intervals.
Anti-flicker shooting automatically detects the frequency/flicker of artificial lighting and activates the shutter at peak brightness moments to render exposures with consistent exposure and color.
In-Camera Focus Stacking will automatically record eight images of a subject while shifting the plane of focus slightly, then composite these exposures into a single frame to exhibit an extended depth of field. Alternatively, Focus Bracketing allows you to record between 3-999 frames with adjustable focus steps in a 1-10 range for manual compositing during post-production. These modes are only available when working with M.Zuiko Digital ED 60mm f/2.8 Macro, 12-40mm f/2.8 PRO, 40-150mm f/2.8 PRO, 30mm f/3.5 Macro, 7-14mm f/2.8 PRO, 8mm f/1.8 Fisheye PRO, 300mm f/4 IS PRO, and 12-100mm f/4 IS PRO lenses.
Keystone Compensation allows you to correct for convergence when working in live view. Similarly, Fisheye Compensation allows you to use the M.Zuiko Digital ED 8mm f/1.8 Fisheye PRO lens as a rectilinear wide-angle lens by correcting and eliminating distortion.
Connectivity and Post-Processing
Built-in Wi-Fi and Bluetooth permits wireless image sharing and remote camera control from a linked smartphone or tablet when using the dedicated O.I.Share app for iOS and Android.
Built-in Field Sensor System sports an integrated GPS module (GLONASS and QZSS) along with an electronic compass, manometer, temperature sensor, and acceleration sensor.
For post-processing, Olympus Workspace software is available for processing raw files, editing images, and managing your photo library. Files can be previewed, rated, and tagged; customizable functions can be set for faster access to oft-used functions; and raw files can be processed faster compared to previous iterations. Additionally, for image editing, clarity and dehaze sliders are available, alongside other editing tools, for fine-tuning the look of photos.
Olympus Capture, a tethering application, now supports wireless tethering in addition to conventional tethering over USB connection.
Vsn V201080BU000
Copy Copy single file, copy multiple files, copy all *When copied, the new file will be given a different name from that of the original file.
Modes 4 modes (S-IS AUTO, S-IS1, S-IS2, S-IS3), OFF
Weight Approx. 997g (with 2 BLH-1 batteries and 2 Memory cards, based on CIPA standards, without eyecup) Approx. 849g (body only)
Ae Lock Available
Battery Two BLH-1 Li-ion batteries (included) * Can be operated when only one BLH-1 Li-ion battery is equipped.
My Menu 35 items in 5 tabs with 7 items each
Preview Live View preview with depth of field preview lock
Group No 4 groups (External flash 3 groups + commander flash)
Gradation Auto, Normal, High Key, Low Key [except when using e-Portrait, Underwater, Art Filters, Color Creator]
Live View Approx. 100% field of view, exposure compensation preview, WB adjustment preview, gradation preview, face detection preview (up to 8 faces), grid line, magnification display (x3/x5/x7/x10/x14),
Time Code Rec run/free run, drop frame/non-drop frame
Ac Adapter AC-5 AC adapter is separately available (connects to power battery holder HLD-9 to provide power to camera).
Af Limiter Available (Fn button can be assigned to On/Off; can save 3 distance settings) *Distance setting values are rough estimates.
Art Effect a. Soft Focus Effect b. Pin-Hole Effect c. White Edge Effect d. Frame Effect e. Star Light Effect f. Blur Effect (Top & bottom, Left & Right) g. B&W Effect (None, Yellow, Orange, Red, Green) h. Picture Tone (None, Sepia, Blue, Purple, Green) i. Shade Effect (Top & bottom, Left & Right)
Color Mode sRGB, Adobe RGB
Dimensions W:144.4mm H:146.8mm D:75.4mm (based on CIPA standards: excludes protrusions)
Flash Mode Redeye, Fill-in, Flash Off, Red-eye Slow sync.(1st curtain), Slow sync.(1st curtain), Slow sync.(2nd curtain), Manual(1/1(FULL)~1/64)
Self Timer Operation time: 12 sec., 2 sec., custom (Wait time: 1-30sec., Shot interval: 0.5/1/2/3sec., Number of shots: 1-10, Every time AF: ON/OFF)
Sleep Mode Available (1/3/5 min. off)
File Format RAW (12-bit lossless compression), JPEG, RAW+JPEG
Finder Type Eye-level electronic viewfinder, approx. 2.36M dots
Focus Modes Single AF (S-AF)*1 / Continuous AF (C-AF)*1 / Manual Focus (MF) / AF tracking (C-AF + TR)*1 / Preset MF*2 *1 AF+MF selectable *2 Distance setting values are rough estimates and not compatible lens except the AF lens.
Image Share File Type: JPEG*, MOV Marking function for image share.
Level Gauge 2-axis (horizontal / vertical) level gauge
Sensor Type 4/3" Live MOS Sensor
System Type Built-in 5-axis* sensor-shift image stabilization for movie and still photos *yaw/pitch/roll/vertical shift/horizontal shift
Af Focus Adj Adjust all, adjust by lens (for Phase detection AF only)
Display Grid Off / normal grid / trichotomy /golden grid / scale / diagonal / movie grid *grid color is selectable
Finder Style 3 styles
Is For Movie M-IS1*(Image sensor shift and electronic image stabilizer with multi motion IS), M-IS2(Image sensor shift with multi motion IS), Off *While using M-IS1, field of view may be affected.
Movie Effect One-shot Echo / Multi-echo / Art Fade / Old Film
Pc Interface SuperSpeed(USB3.0)
Picture Mode i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, e Portrait, Underwater, Color Creator, Art Filters
Picture Tone Neutral, Sepia, Blue, Purple, Green for Monotone
Shutter Type Focal-plane shutter (mechanical shutter): 1/8000 - 60 sec., with selectable EV adjustment steps (1/3, 1/2, 1) *Live Bulb / LiveTime: selectable exposure time (1/2/4/8/15/20/25/30 min.), with 8-min. default setting *Live Composite: 3 hours maximum shooting time Electronic first curtain shutter (Anti-shock mode) : 1/320 - 60 sec Electronic shutter (Silent mode): 1/32000 - 60 sec Flicker Scan: Video recording 1/30 (50fps:1/50, 60fps:1/60, Highspeed: 1/120) -1/250.0 Still 1/50.0-1/7634 *Video recording S/M mode, Still S/M silent mode only. Selectable with a minimum of 0.1
Total Pixels 21.8 million
Tv Interface Not Available
Usb Charging Built-in battery is charged with AC-5 / USB * When the camera power is off * Performance varies depending on different USB devices
Wireless Lan Built-in (IEEE 802.11b/g/n/ac)
5axis Sync Is Available* *When using M.Zuiko Digital lenses equipped with image stabilization
High Res Shot Equivalent to 50 megapixels / 25 megapixels *Available in P/A/S/M mode, RAW+JPEG or JPEG. *JPEG: 8160 x 6120(50M) 5760 x 4320(25M) / RAW: 10368 x 7776 *RAW data can be developed in-camera. You need to install Olympus Workspace to develop on a PC. *Electronic Shutter 1/8000 - 60 sec.
Playback Mode Single-frame, information display, index display (4/9/25/100 frames), calendar, enlargement (2x - 14x), movie (with sound, FF/REW/Pause), picture rotation (auto), Light Box display
Super Spot Af Available*(Contrast AF in center of the monitor when magnified) *Available only when a Micro Four Thirds lens is attached.
Touch Control Shutter release, Touch AF (AF area selection, AF area size adjustment) AF targeting pad, frame forward/backward, magnified playback, Super Control Panel, Wi-Fi connection, movie controls
Usb Bus Power A USB PD bus power can be used ※ PD compliant Camera: Rev 3.0 Ver 1.0a
Usb Connector USB Type-C
Af Illuminator Available
Af Performance C-AF lock (5 steps) , AF scanner (3 types) , C-AF Center Priority , C-AF Center Start
Af System Type High-speed imager AF: Imager phase detection AF and imager contrast AF used in combination; When a Micro Four Thirds lens (mount adapter sold separately necessary) is attached, imager phase detection AF is always enabled).
Channel Number 4 channels
Dust Reduction Super Sonic Wave Filter
Hdmi Connector Micro HDMI (type D)
Headphone Jack φ3.5 stereo mini jack
Iso Bracketing 3 frames in 0.3/0.7/1.0EV steps selectable
Live Composite Update Interval Time / composite method – 0.5 sec – 60 sec / Lighten Mode (Bright area prioritization)
Metering Range EV -2 - 20 (ISO approx.100, with a f/2.8 lens)
Mic Input Jack φ3.5 stereo mini jack (plug-in power on/off)
Processor Type Dual TruePicTM VIII
Easy Connection Connect using a QR code Connect using Bluetooth (View, Transfer only. Enabled from the second time)
Iso Sensitivity AUTO ISO (default) : LOW (approx.64) ‐ 6400 with customizable default and upper limit (200 - 6400) Manual ISO : LOW (approx.64, approx.100), 200 - 25600 (adjustable in 1/3 or 1 EV steps)
Live View Boost Live View Boost 1 , Live View Boost 2* (For dark situations) *Settings can be specified for each shooting mode *Live View Boost 2: Frame Rate Priority or Quality Priority selectable *Off: Brightness in Live View shows specified exposure settings.
Magnified Frame 3x , 5x , 7x , 10x , 14x *Autofocusing is possible in the magnified frame; can be assigned to button to turn magnify frame AF on/off and to activate magnification; touch icon on monitor to turn off; enables selection of focusing point from 800 or more.
Menu Custom Set Available (Settings configured to C1-C4 can be called up via the menu even in P,A,S,M and B modes. *Some items including shooting mode may not be called up.
Metering System Digital ESP metering (324-area multi pattern metering), center-weighted average metering, spot metering*, spot metering with highlight control, spot metering with shadow control *Also available AF target spot metering
Timelapse Movie [AVI ] 3840×2160(4K)/ 5fps 1920×1080(FHD)/ 5fps,10fps,15fps 1280×720(HD)/ 5fps、10fps、15fps、30fps
Af Targeting Pad Available (activate / deactivate with double tap on rear monitor)
Af Working Range EV -3.5~20 (ISO approx.100, with a f/2.8 lens)
Art Filter Movie Available (Frame rates may drop when certain Art Filters are used)
Effective Pixels 20.4 million
Flash Attachment Hot shoe, sync terminal
Flash Bracketing 3 frames in 0.3/0.7/1.0EV step selectable
Focus Bracketing 3 to 999 shots, focus steps adjustable from 1 to 10 (compatible with Micro Four Thirds lenses)
High Speed Movie 120fps (1920×1080/MOV)
Lens Is Priority Available
Mode Dial My Set 4 types of settings can be configured to C1-C4 modes on mode dial.
Peaking Function Activate with Fn button or focus ring Change peaking settings using the Info button Color selection: white, black, red, yellow Intensity selection: high, normal, low Back light effect: on, off
Recording Format DCF2.0, Exif2.31
Remote Connector φ2.5Pin Jack (when using separately available RM-CB2).
Color Tone Select Vivid / Natural
Compatible Memory SD, SDHC*1, SDXC*1 *1 UHS-I,II compatible
Gps Info Function Available (Via GPS smartphone) *Built-in GPS info given priority
Interval Shooting Interval Time 1sec. - 24 Hours, Max 999 frames. Available on making Time-lapse movie automatically
Rear Monitor Size 3.0-inch vari-angle monitor* *Approx.1037k dots (3:2), electrostatic capacitance touch panel
Tethered Shooting Via USB cable (camera can be operated by both PC or camera controls) Via Wi-Fi (Transfer of recorded images to PC via access point, 5GHz and 2.4GHz available)
Wireless Shooting Live View, Rec View, Wireless Touch AF shutter, Self Timer (w/Countdown guidance, Sequential shooting, movie recording capability), Wireless Release, Movie Recording, Power Off *P / A / S / M / B and drive mode can be selected. Aperture, shutter speed, exposure, ISO sensitivity, white balance and sequential shooting can be adjusted.
Cwb Kelvin Setting 2000 - 14000K
Dial Customization Dial function and dial direction are customizable for both dials
Hdr Auto Composite HDR1, HDR2 (painting-like) ※ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec. ※Exposure compensation can be performed.
Movie Picture Mode Flat,OM-Log400 *View assist compatible
Sovf Simulated Ovf Expands the Live View dynamic range. *Available in the EVF when in P, A, S and M modes. Art filter, WB and exposure are not reflected in EVF.
Tilting Capability Available (mirror display when monitor is in self portrait position)
White Balance Mode Auto WB, 7 Preset WBs, 4 Capture WBs, Custom WB(Kelvin setting)
Exposure Bracketing 2, 3 or 5 frames in 0.3/0.7/1.0EV steps selectable, 7 frames in 0.3/0.7EV steps selectable
Focus Stacking Mode 8 shots are taken at different focus points and automatically composited together into a single image * Angle of view becomes slightly smaller (The cut area guide is displayed) * Compatible with : M.Zuiko Digital ED 60mm f/2.8 Macro M.Zuiko Digital ED 12-40mm f/2.8 PRO M.Zuiko Digital ED 40-150mm f/2.8 PRO M.Zuiko Digital ED 30mm f/3.5 Macro M.Zuiko Digital ED 7-14mm f/2.8 PRO M.Zuiko Digital ED 8mm f/1.8 Fisheye PRO M.Zuiko Digital ED 300mm f/4.0 IS PRO M.Zuiko Digital ED 12-100mm F4.0 IS PRO

GENERAL INFORMATION

Brand Name Olympus
Manufacturer Olympus Corporation
Product Line OM-D
Product Name OM-D E-M1X Mirrorless Camera Body Only
Product Type Mirrorless Camera Body Only
Product Model E-M1X
Manufacturer Part Number V207080BU000
Manufacturer Website Address http://www.olympusamerica.com
Ic Recorder Linkage Slate Tone / Synchronized Audio Rec-Movie Rec *LS-100 compatible
Information Display Histogram (independent luminance / RGB available), Highlight/Shadow point warning, AF frame, Photographic information, OFF
Lever Customization Select assignment from 3 different modes, power switch, or off (no function assignment)
Manual Focus Assist Focus ring rotation activates Live View image magnification and/or focus peaking when in S-AF+MF or MF mode
Microphone Speaker Built-in stereo microphone / built-in mono speaker *External stereo microphone can be attached
Microphone Function Wind noise reduction, recording volume, microphone volume limiter Audio dubbing possible for still pictures (up to 30 sec.) *May affect audio quality.
Movie Teleconverter Approx. 3x (enlarges view of selected area)
Antiflicker Shooting Available
Button Customization Up to 39 functions can be assigned to buttons *Up to 24 functions can be assigned for movie recording *Buttons on lenses can also be customized from the camera *Some buttons may have restrictions to what functions can be assigned
Fisheye Compensation 3 styles (can be confirmed in Live View) *Underwater correction compatible * Enabled when M.Zuiko Digital ED 8mm f/1.8 Fisheye PRO is used.
Focal Length Setting 11 settings: 10 programmable settings (10 lenses), 1 open setting
Included Accessories Body, USB cable, cable clip, cable protector, shoulder strap, instruction manual, warranty card, BLH-1 Li-ion battery (Two) , BCH-1 Li-ion battery charger (Two)
Live Bulb Live Time Update Interval Time - 0.5 sec – 60 sec
Live Neutral Density Available *Shutter Priority and Manual mode only, flash can not be used, ISO up to 800, the maximum shutter speed is 1/30 (when ND2 is set) and the speed drops if the number of ND steps is raised
Preset White Balance 7 preset WBs (3000K - 7500K) - Sunny(5300K), Shadow(7500K), Cloudy(6000K), Incandescent(3000K), Fluorescent(4000K), Underwater, WB Flash(5500K)
Recording Image Size [RAW] 5184 x 3888 pixels [JPEG] 5184 x 3888 pixels - 1024 x 768 pixels
Art Filter Bracketing i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters, Color Creator selectable
Aspect Ratio And Area 4:3 / 17.4 x 13.0mm
Capture White Balance 4 custom settings can be registered
Exposure Compensation ±5 EV, adjustable by 1/3, 1/2 or 1 EV steps When shooting in HDR or in video, only adjustable up to ±3 EV steps Live View only reflects up to ±3 EV steps
Keystone Compensation Available (can be confirmed in Live View) *Horizontal and vertical compensation can be performed simultaneously.
Synchronization Speed 1/250 sec. *When using Super FP: 1/125-1/8000 sec. *When using electronic shutter: 1/50 sec. up to ISO6400, 1/20 sec. for ISO 8000 and higher, and 1/20 sec. for ISO bracketing
Audio Recording Format Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz)
Battery Status Display Remaining power (4 steps, %, or by-minute display), shot count, degradation
Environmentally Sealed Dust, Splash (IPX1), Freezeproof
Handheld High Res Shot Equivalent to 50 megapixels / 25 megapixels *Available in P/A/S/M mode, RAW+JPEG or JPEG. *JPEG: 8160 x 6120(50M) 5760 x 4320(25M) / RAW: 8160 x 6120 *Flash can not be used *RAW data can be developed in-camera. You need to install Olympus Workspace to develop on a PC. *Electronic Shutter 1/8000 - 60 sec.
Is For Live View Image Activation by half-pressing shutter button or enlarging view
Radio Wireless Control Available
Video Exposure Control Program AE, aperture priority AE, shutter priority AE, manual
Video Recording Format MOV(MPEG-4AVC/H.264)
Dual Card Slot Settings Standard, Auto Switch, Dual Independent, Dual Same *When two cards are inserted, card to be saved on to or to be viewed can be designated.
Flash Intensity Control Up to ±3 EV in 1/3, 1/2, 1 EV steps selectable
One Touch Teleconverter Available (2x)
Quick Movie Slow Movie With (Both or either of the two may not be available depending on the frame rates.
Gps Field Sensor System GPS (GLONASS,QZSS), compass, manometer, temperature sensor, Acceleration sensor
Operating Humidity Range 30 - 90% (when in operation) / 10 - 90% (when stored)
White Balance Bracketing 3 frames in 2, 4, 6 selectable steps for A-B/G-M axis.
Compatible External Flash FL-50R, FL-36R, FL-20, FL-14, FL-300R, FL-600R, FL-900R, STF-8, FL-700WR
Grid Lines Focus Peaking 4 types of grid lines / 4 colors for focus peaking
Live View Output Via Hdmi Monitor Mode (outputs video and info display to a connected monitor) *1 Record Mode (outputs video only, with no info display) *2 *1 While recording, footage is simultaneously displayed on the HDMI monitor and on the camera, but the info display is shown only on either one of the two. While playing movies, footage is simultaneously displayed on the HDMI monitor (normal size) and on the camera (normal size or enlarged). However, the image can not be enlarged on the camera when a movie is being recorded. *2 Movie quality is set to YCbCr 4:2:2 (8 bit), frame rate follows movie setting (24p, 30p and 60p settings are not recommended.), and sound will be recorded.
Stabilization Performance 7.0 EV* *Based on CIPA measurement conditions. When using M.Zuiko Digital ED 12-40mm f/2.8 PRO (focal length =40mm (35mm equivalent: 80mm)) 7.5 EV* *Based on CIPA measurement conditions. When using M.Zuiko Digital ED 12-100mm f/4.0 PRO (focal length =100mm (35mm equivalent: 200mm)), with camera body IS set to Off, Frame rate: High
White Balance Compensation ±7 steps along A-B / G-M axis * Except for Custom WB
Operating Temperature Range -10ºC ~ +40ºC (when in operation) / -20ºC ~ +60ºC (when stored)
Color Ring For Partial Color 18 color selectable
Exposure Mode Shooting Mode P: program AE (program shift can be performed), A: aperture priority AE, S: Shutter priority AE, M: Manual, B: Bulb (Live Bulb, Live Time and Live Composite are available), Custom 1~4
Flash Intensity Control Mode TTL Auto, Auto*, Manual, Super FP*(FP-TTL AUTO, FP-MANUAL) * Available on the external flash
Highlight And Shadow Control ±7 steps each for highlight, shadow, midtone
Maximum Video Recording Time Approx. 29min
Menu Languages 34 Selectable English, French, German, Spanish, Italian, Japanese, Korean, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Danish, Polish, Portuguese, Swedish, Norwegian, Finnish, Croatian, Slovenian, Hungarian, Greek, Slovakian, Turkish, Latvian, Estonian, Lithuanian, Ukrainian, Serbian, Bulgarian, Rumanian, Indonesian, Malay, Thai
External Flash Intensity Type TTL Auto, Auto, Manual, FP-TTL-AUTO, FP-MANUAL
Folder Creation And Selection Available
Live View Image Stabilization Activation by half-pressing shutter button or pressing AEL/AFL button, enlarging view
Number Of Recordable Pictures Approx. 870 shots (using 2 BLH-1 and Toshiba SDXU-D032G with IS ON, with no flashes attached, based on CIPA test standards) Approx. 2,580 shots (using quick sleep mode, under Olympus testing conditions based on CIPA test standards)
Wireless Flash Control Method Triggered and controlled by Olympus Wireless RC Flash system compatible flashes: FL-LM3 or separately available FL-600R and FL-900R , STF-8,FL-700WR
Bracketing For Hdr Postprocess 3 or 5 frames in 2.0 or 3.0 EV steps, or 7 frames in 2.0 EV steps. *This sequential shooting H AE bracketing is specifically designed for shooting images that will be HDR-processed on a PC.
Brightness Color Temp Control Adaptive brightness technology (EVF Auto Luminance) / ±7 level manual brightness control /±7 level manual color temperature control
Sequential Shooting Frame Count 1 - 99 frames
Art Filter Variation Art Effect Pop Art (I, II / a.b.c.d.e) Soft Focus ( - / c.e) Pale & Light Color (I, II / a.b.c.d) Light Tone ( - / d) Grainy Film (I, II / b.c.d.f.g) Pin Hole (I, II, III / d.) Diorama ( - / d.) Cross Process (I, II / b.c.d.) Gentle Sepia ( - / a.b.c.d.f.) Dramatic Tone (I / b.c.d.e.f.) (II / b.c.d.e.f.g.h) Key Line (I, II / a.b.c.d.e.) Watercolor (I, II / a.b.c.d.) Vintage (I, II, III / a.b.c.d.e.f.i) Partial Color (I, II, III / a.b.c.d.e.f) Bleach Bypass (I, II / a.b.c.d.e.f.i) Instant Film (- / a.b.c.d.e.f.i)
Battery Life For Movie Recording Approx. 170 minutes* (under standard JEITA testing) Approx. 350 minutes* (when zoom and other operational functions are not used) *When repeatedly recording at the maximum time of 29 minutes
Intelligent Subject Detection Af Available Formula cars, rally cars, motorcycles, aircrafts, helicopters, bullet trains, standard trains, steam locomotives
Sequential Shooting Maximum Speed [Sequential shooting H] approx. 15 fps with selectable 10-15 fps [Sequential shooting L] approx. 10 fps with selectable 1-10 fps [Anti-shock sequential shooting L] approx. 8.5 fps with selectable 1-8 fps [Silent sequential shooting H] approx. 60 fps with selectable 15, 20, 30, 60 fps [Silent sequential shooting L] approx. 18 fps with selectable 1-10, 15, 18 fps [Pro Capture H] approx 60 fps with selectable 15, 20, 30, 60 fps [Pro Capture L] approx 18 fps with selectable 1-10, 15, 18 fps *When using the M.ZUIKO DIGITAL ED 12-40mm f/2.8 PRO *Maximum sequential shooting speed may be affected by several factors including lens used, brightness, aperture, shutter speed, and ISO setting *When in Pro Capture mode, slower shutter speeds and flash can not be used *Pro Capture L mode is available when using an Olympus Micro Four Thirds lens *In Pro Capture L mode, the minimum aperture is f/8. *When ISO is 8000 or above, 30 fps becomes the maximum sequential shooting speed, and the actual shooting speed may become slower than the set shooting speed by a few frames per second. When using ISO Bracketing, performance will be affected at ISO 2000 or above *Focus and exposure are fixed at the values of the first shot when using sequential shooting H *Maximum sequential shooting speed is 8.5 fps for anti-shock sequential shooting L, even when set to 9 or 10 fps
Eye Point Diopter Adjustment Range Approx. 21mm (-1m-1, Distance from rear lens surface) / -4 ~ +2m-1
Face Detection Af And Eye Detection Available Eye Detection AF mode : off / nearer-eye priority / right-eye priority / left-eye priority
Copyright Settings Lens Info Settings With / With (save up to 10 lenses)
Field Of View Viewfinder Magnification Approx. 100% / Approx. 1.48x*1 - 1.65x*2 (-1m-1, 50mm lens, Infinity) *1: Finder Style 1, 2 (aspect ratio 4:3) *2: Finder Style 3 (aspect ratio 4:3)
Movie Mode Frame Rate Compression Method 4096 × 2160 (C4K) / 24p / IPB (approx. 237 Mbps) 3840 × 2160 (4K) / 30p, 25p, 24p / IPB (approx. 102 Mbps) 1920 x 1080 (FHD) / 30p, 25p, 24p / ALL-I (A-I), IPB (SF, F, N) 1920 x 1080 (FHD) / 60p, 50p / IPB (SF, F, N) 1280 x 720 (HD) / 60p, 50p, 30p, 25p, 24p / ALL-I (A-I), IPB (SF, F, N) 60p: 59.94 fps, 50p: 50.00 fps, 30p: 29.97 fps, 25p: 25.00 fps, 24p: 23.98 fps, C4K 24.00 fps FHD ALL-I (A-I: ALL-Intra / approx. 202 Mbps), FHD IPB (SF: SuperFine / approx. 52 Mbps, F: Fine / approx.. 30 Mbps, N: Normal / approx. 18 Mbps) HD ALL-I (A-I:ALL-Intra / approx. 102 Mbps), HD IPB(SF:SuperFine / approx.26Mbps, F:Fine / approx.14Mbps、N:Normal / approx.10Mbps) HD (1280 x 720) / 30p *Frame rates may drop when particular Art Filters and Movie Effects are used. *Class 10 or higher SD card is recommended for shooting movies. *UHS-II or UHS-I U3 card is recommended for 4K,C4K,ALL-I shooting.
Brightness Color Temp Control Rear Monitor ±7 levels / ±7 levels
Preshutter Frames For Pro Capture Mode Only Number of frames recorded prior to full-press of the shutter button can be set from 0 to 35 frames.
Multiple Exposure Number Of Pictures Function 2 frames / Auto gain, Exposing on Recorded picture(RAW)
Focusing Points And Focusing Points Selection Mode 121-point cross-type phase detection AF and 121-point contrast AF / All target, single target (normal / small), group target (5-area / 9-area / 25-area), custom target 1-4 (AF area and its increment steps selectable)
Maximum Recordable Pictures In Sequential Shooting [Sequential shooting H 15 fps] RAW: Max. 103 frames, JPEG (LF): Max. 132 frames [Sequential shooting L 10 fps] RAW: Max. 287 frames, JPEG (LF): Until card is full [Silent sequential shooting L 60 fps] RAW: Max. 49 frames, JPEG (LF): Max. 49 frames [Silent sequential shooting L 18 fps] RAW: Max. 74 frames, JPEG (LF): Max. 89 frames *When using the M.Zuiko Digital ED 12-40mm F2.8 PRO and the Toshiba SDXU-D032G memory card with standard card setting in slot 1. *Low ISO processing: Priority is given to sequential shooting

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